Facing the Unthinkable
At the heart of Kathryn Bigelow's gripping new film, A House of Dynamite, lies an existential nightmare we've all subconsciously feared. As Bigelow herself reflects, having grown up during the Cold War era, where bomb drills were a staple of childhood, the specter of nuclear warfare hangs ominously over our generations.
In this suspense-packed drama, the stakes couldn't be higher. A solitary missile launches from an undisclosed location in the Pacific, sending shockwaves through a nation. What begins as a test quickly morphs into an alarming countdown with only 19 minutes left to decide the fates of millions. We're thrust into the chaos, standing alongside Idris Elba's portrayal of the president, who must make an impossible choice.
The Intent Behind the Chaos
Screenwriter Noah Oppenheim, formerly president of NBC News, captures this tension so accurately that it feels almost too close to home. He emphasizes the absurdity of placing the future of humanity in the hands of one unprepared individual—the president. Bigelow's previous cinematic achievements, such as The Hurt Locker and Zero Dark Thirty, showcase her unwavering commitment to authenticity. “It's my responsibility as a filmmaker,” she proclaims, “to present an environment that really exists with as much accuracy as possible.”
Interestingly, Bigelow opted not to seek Pentagon cooperation during production, believing independence was crucial. “We had multiple tech advisors who have worked in the Pentagon. They were with me every day we shot,” she shared, embodying her belief that her artistic integrity holds precedence over bureaucratic oversight.
A Realistic Portrayal of Crisis
Retired Lt. Gen. Dan Karbler, one of the military consultants on the film, adds layers of authenticity to the portrayals. His recounting of real-life missile defense scenarios illustrates the razor-thin margins under which our leaders must operate. “I have a son and daughter, and they're both missile defenders,” he states. “When I watched the actors perform, all I could think about was how real it felt.”
Connecting the Fiction to Reality
As the missile arcs toward the U.S., the movie provides a stark reminder of the reality we live in today. The intensity ramps up as interceptors are launched, encapsulating that classic moment of a “bullet hitting a bullet.” Karbler describes the challenge of the interceptors, noting that the closing velocity can exceed an astounding 30,000 miles per hour. The movie reflects a chilling yet accurate perspective—61% is about the best chance of success.
Rebecca Ferguson's character, the watch officer in the White House Situation Room, navigates this high-pressure environment with precision. Larry Pfeiffer, once responsible for the actual Situation Room, describes the film as an opportunity for audiences to grasp the true weight of decisions made in those critical moments, “This movie will give the American moviegoer a chance to feel what it's really like to work in a space like that,” he states.
Lessons Embedded in the Narrative
The impending missile crisis upends the president's routine. Stuck in a motorcade, he's confronted with a scenario that redefines his understanding of preparedness in office, lamenting the stark reality that, “I had one briefing when I was sworn in!”
Karbler highlights a grim reality—most presidents haven't undergone comprehensive preparedness training for such disastrous scenarios. “The last president to do it was Reagan,” he notes.
Beyond the Silver Screen
Oppenheim hopes viewers emerge from the film with a renewed awareness of the nuclear threats that linger beyond our Cold War narratives: “Even though the Cold War is long over, the nuclear era is not,” he asserts. The film deftly navigates this delicate balance, capturing the questions we should be asking: “How do we take the dynamite out of the walls ... without tearing down the house?” Bigelow ponders.
“To watch a trailer for A House of Dynamite click on the video player below:
Where to View
For more information:
- "A House of Dynamite" is now playing in theaters and streams on Netflix from October 24.
Story produced by Mary Walsh. Editor: Jason Schmidt.
Source reference: https://www.cbsnews.com/news/a-house-of-dynamite-battling-a-nuclear-nightmare/
