Bob Dylan's Unconventional Choice
When Bob Dylan took the stage at Waterfront Hall in Belfast, the atmosphere was steeped in excitement, with a crowd brimming with loyal fans of both Dylan and Van Morrison. As expected, they anticipated classics and hits, but what Dylan delivered at the end of his set left many scratching their heads.
Instead of the familiar strains of “Moondance” or “Tupelo Honey,” the Nobel laureate chose to cover a little-known Van Morrison gem, “Going Down to Bangor,” from Morrison's much later album, Keep Me Singing (2016). It wasn't a chart-topping single nor a track that comes with the weight of nostalgic longing from the 20th century, making it all the more intriguing.
The Setlist Surprise
This audacious selection not only showcases Dylan's sharp artistry but also highlights a fascinating cultural exchange between the two legendary musicians. The choice signifies more than just a musical reference; it casts a wider net of storytelling through the lens of music history. Morrison, whose work shaped the landscape of Mid-century folk and rock, has been a constant source of inspiration for Dylan. Their overlapping connection has long resonated with fans, each contributing to the fabric of modern music culture.
A Shared Legacy
“It's a deep connection,” one fan remarked after the show. “Both artists have this uncanny ability to blend the personal with the universal.”
Dylan and Morrison have often traversed similar ground. Over the years, Dylan has been known to cover Morrison's tracks frequently, showcasing tunes like “Into the Mystic,” “Crazy Love,” and others. Their musical relationship is marked by an appreciation for lyrical depth and evocation of place, making this rare cover even more akin to a shared dialogue under the spotlight.
The Belfast Connection
### Why Belfast?
Belfast holds a special significance for Morrison, being his hometown. The venue itself is rich with history, having previously hosted Morrison's own 80th birthday celebration. This context makes Dylan's choice even more poignant, almost like a tip of the hat to Morrison's roots while simultaneously defying audience expectations.
Fans had gathered with the hope of hearing established hits, yet Dylan intentionally opted for obscurity. This reflects both a sense of playfulness and depth that embodies his approach to live performance. It becomes clear: Dylan isn't merely going through the motions; he interprets his contemporaries through his distinctive lens.
Reception and Impact
One thing is for sure; while some fans may have left puzzled by Dylan's choice, others celebrated the sheer unpredictability of his art. Phones, strictly prohibited throughout the concert, didn't completely silence the excitement, with a few die-hard fans securing clean audio clips of the performance. Amidst the mystique of live music, that audio serves as a cherished reminder of Dylan's willingness to take risks.
What Lies Ahead
Dylan's 2025 tour is nearing its conclusion, with upcoming shows in Killarney and Dublin. Fingers crossed for another audacious surprise in Dublin, perhaps a cover from Irish legends U2? Songs like “Love Is All We Have Left” would align perfectly with the concert's thematic thread—melding the known with the unexpected.
Dylan's live performances embody a unique path through different eras and styles of music; it's hard not to wonder what he might pull out of his hat next. As he sends up rumbles of a potential 2026 tour with promises of more to come, fans are left hanging onto each word, eager for the next unexpected twist in his ongoing narrative.
Closing Thoughts
As we reflect on this latest show in Belfast, it's essential to appreciate artists like Dylan and Morrison for their unyielding passion for both storytelling and the community they create through music. Whether you're catching familiar hits or indulging in obscure covers, the true essence of their art thrives on the element of surprise, keeping us forever captivated.
Source reference: https://www.rollingstone.com/music/music-news/bob-dylan-obscure-van-morrison-cover-1235470484/




