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Chloë Grace Moretz Shines in 'Caroline': A Heartfelt Exploration of Trauma and Identity

October 5, 2025
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Chloë Grace Moretz Shines in 'Caroline': A Heartfelt Exploration of Trauma and Identity

A New Dawn for 'Caroline'

In a world where narratives often sidestep the delicate intersections of addiction, class, and gender identity, Preston Max Allen's latest play, Caroline, emerges as a compelling piece. Featuring the remarkable Chloë Grace Moretz as Maddie, a mother on a quest for redemption, the production delves into their tumultuous journey toward self-discovery and acceptance.

A Mother's Struggle

The play opens with Maddie and her nine-year-old daughter Caroline (played by River Lipe-Smith) caught in a seemingly innocuous moment at a diner in Ohio. However, their experience is anything but typical.

“This is a kid who can sense an eggshell cracking the millisecond someone sets a toe on it.”

Caroline, wise beyond her years, grapples with the realities of being an only child in a world marked by her mother's past struggles with addiction. Maddie, sober since Caroline's birth, does her best but is thrown into the fray when her ex-partner's explosive rage compels them to flee their home in West Virginia.

Unexpected Revelations

As the narrative unfolds, a poignant revelation occurs: Caroline, born as a boy, is now finding the courage to claim her identity. This delicate subject is approached with sensitivity, allowing audiences to witness a heartfelt conversation between mother and daughter, reflecting hope and understanding.

Bridging the Past

Upon arriving at Maddie's affluent childhood home in Evanston, Illinois, the dynamic shifts dramatically. Rhea (Amy Landecker), Maddie's mother, is taken aback by Caroline's presence. Maddie's tumultuous history with her own mother adds layers of complexity to their reunion, punctuating the play's overarching themes of trust and the painstaking process of healing.

The Multifaceted Character of Rhea

Rhea, embodying emotional coldness, finds herself challenged as she encounters the vibrant essence of her granddaughter. The play's costume design and set, combined with expert direction by David Cromer, enhance the sense of familial estrangement, while simultaneously forcing characters to confront uncomfortable truths.

A Touch of Humor Amidst the Drama

Despite its heavy themes, Caroline maintains a playful tone, infusing humor into the conversation. At one point, Caroline manages to lighten the mood by requesting a Nintendo Switch, an innocent moment rich with subtext.

Cultural Reflection and Critique

While the play masterfully navigates complex subjects, it is not without its shortcomings. A late-game plot twist feels contrived, diverting attention from the nuanced storytelling that unfolds prior. The dilemma surrounding Caroline's name offers a critical lens into societal expectations and familial acceptance yet begs for a more thoughtful resolution.

The Climax of Transformation

Ultimately, Caroline serves as a mirror reflecting contemporary struggles within familial relations and identity, eliciting a spectrum of emotions. It expertly weaves together themes of trauma, recovery, and the quest for belonging.

Conclusion: A Must-See Production

This production is not merely a story; it's an enlightening experience that compels audiences to engage with essential conversations surrounding identity and healing. Caroline runs through November 16 at MCC Theater in Manhattan. For those craving theatrical productions that challenge societal norms, this is undoubtedly one to add to your list.

Learn more and get tickets at mcctheater.org.

Source reference: https://www.nytimes.com/2025/10/01/theater/caroline-review-chloe-grace-moretz-as-a-mother-starting-over.html

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