The Dismantling of Opera in America
When the Washington National Opera announced its departure from the Kennedy Center, many saw this as a clear protest against President Trump's influence over the arts. Yet, the truth is far more complex and disheartening; the true repudiation came from the Kennedy Center itself. By imposing a one-dimensional financial model that neglects the essence of nonprofit arts, they've rejected not only opera but the entire ecosystem that supports cultural expression in our nation.
This newly enforced model requires each performance to break even strictly on ticket sales and pre-confirmed corporate sponsorships—an unattainable goal for any nonprofit art organization, particularly opera. It disregards the critical lifeline provided by donations which, in many cases, exceed ticket sales. Nonprofit arts thrive on two main income streams: earned income from ticket sales and contributed income from generous patrons dedicated to preserving our rich cultural tapestry.
The Financial Reality of Arts Organizations
“Every performance requires a blend of ticketing and donations; to ignore one is to undermine the entire model of arts production.”
Understandably, the Kennedy Center's leadership believes they're operating within a revenue-neutral framework, but this oversimplified approach is dangerously out of touch. For many organizations, including our opera houses, contributions form the backbone of success, making it possible to cover rising operational costs. The notion that ticket sales should alone sustain high-caliber productions is not only unrealistic, it risks erasing the very art forms we profess to cherish.
Opera, a nuanced and intricate form of storytelling, commands expensive and sophisticated elements—from talented soloists and orchestras to elaborate costumes and sets. The artistry involved necessitates substantial resources and funding effortlessly garnered through community engagement and donations. When the Washington National Opera flourished, with its endowment soaring from $8 million to nearly $30 million since 2018, it showcased the potential of a well-supported art form thriving within its own community.
The Impact of Economic Pressures
That success, however, was built on a precarious balance. The recent turmoil has led to plummeting ticket sales and dwindling contributions, exacerbated by a chilling political climate. Washingtonians increasingly withdraw from attending events at the Kennedy Center, attributed in part to the pressures and controversies swirling around Trump's administration. Staff turnover, with key marketing roles left unfilled, underscores a deeper problem; cutting costs in staffing to save funds often yields greater revenue losses than the purported savings.
Artistic Resilience and New Directions
Despite these setbacks, the Washington National Opera demonstrates commendable resilience. With initiatives like relocating performances to Lisner Auditorium—its original home—the company exhibits an indomitable spirit. Artistic director Francesca Zambello announced an intriguing lineup featuring American works that probe themes central to our national identity. From Scott Joplin's 'Treemonisha' to Bernstein's 'West Side Story', these selections promise to provoke thought and dialogue, albeit under a strained environment.
Contradictions in Leadership Vision
“To deny the riches of operatic tradition is to deny an essential part of who we are as a society.”
In effect, the Kennedy Center's decision has cast aside not only the performance of opera but also the profound narrative woven through centuries of remarkable compositions. By declaring that the masterpieces of Mozart, Verdi, and contemporary American composers are no longer welcome at the nation's cultural landmark, we risk sending a disheartening message about the value of our artistic heritage.
A Call to Reclaim Cultural Identity
At a moment when our nation's 250th anniversary approaches, we must reassess our commitment to culture and the arts, recognizing their importance in shaping societal values. The Kennedy Center professes a mission to celebrate our cultural heritage; to act against one of our most iconic art forms sharply contradicts that vision.
Let us remember: the vitality of our nation's culture hinges on its diversity and inclusiveness. Repudiating the Washington National Opera not only silences a storied tradition but risks erasing the lessons we can learn from massive cultural shifts. It's time to advocate for and honor all facets of our artistic identity, to sustain the narratives that define us, and to foster conversations that can inspire change.
Source reference: https://www.nytimes.com/2026/02/01/opinion/washington-national-opera-kennedy-center-trump.html




