The Unlikely Star: How a 70-Year-Old Teacher Captivated Indian Cinema

A Journey from Classroom to Cinema

At 70, Biana Watre Momin traveled over 3,000 kilometers from her peaceful life in Meghalaya to Kerala, stepping boldly into the world of cinema. As a retired teacher, Momin's life took an unexpected turn when she found herself cast in 'Eko', a Malayalam-language film that has since altered her path dramatically.

Breaking Barriers

For Momin, acting was never on her radar. Growing up in a town without a cinema or theater, she had little exposure to performance art, viewing teaching itself as the closest she'd come to acting. “Growing up, my town did not have a cinema or theatre,” she shares, laughing at the thought. Now, as a member of the Garo tribe, she represents the rich tapestry of indigenous voices in Indian cinema.

“As an indigenous person, I am proud to inspire more representation,” Momin expresses.

Eko: A Film that Resonates

'Eko', which premiered on Netflix, features Momin in a powerful role as Mlathi Chettathi, an elder living alone amidst the majestic Western Ghats. The story intricately mirrors the themes of solitude and survival, and Momin's performance anchors its emotional weight.

The Audition: Uncertainty to Confidence

The journey to this poignant role wasn't without its hesitations. Initially fearful due to her lack of experience and the daunting travel from home, Momin was encouraged by her daughter to embrace the new adventure. “Have faith in yourself and try something new,” her daughter's words became a source of empowerment.

Overcoming the Language Barrier

In a language she did not understand, she learned her lines phonetically with patience and dedication. The learning curve was steep, but as Momin states, “Suddenly, I was a student again.” She embraced the process of filmmaking, learning to navigate both the narrative structure and the rhythms of a professional set.

Filmmaking and Feminism

Momin's character in 'Eko' represents not just a narrative of survival but a feminist statement embedded within a matrilineal culture. “I have lived a full life and could draw from that,” she reflects, crediting her life experiences as vital tools that informed her portrayal.

“This character outwits those trying to exploit her with silent grit,” says Bahul Ramesh, the film's writer.

Recognition and Future Aspirations

Following the film's success, accolades have poured in. Even acclaimed Tamil actor Dhanush praised her performance as “world-class.” Offers from Bollywood flood in, leaving Momin contemplative of her next steps. “Acting is strenuous work. Let's see what surprises are in store,” she acknowledges cautiously.

Cherishing Simplicity

Although her cinematic journey now entangles her in offers and discussions, Momin has returned lovingly to her life in Meghalaya, engaging with her family and book club. “We'll be discussing Arundhati Roy's Mother Mary Comes to Me this week,” she adds with warmth.

A Cinematic Reminder

Biana Momin did not merely become an actor; she became a beacon for aging in the arts. As she quotes Dylan Thomas, “Old age should burn and rage at close of day,” Momin leaves us with a reflection on the vibrant potential that life continues to hold at any age.