'Undertone' Review: A Deeper Dive into A24's Sound-Centric Horror

What Makes 'Undertone' Stand Out?

Every year introduces us to a contender for the title of "scariest movie of the year," and 2026 is no exception, with A24's 'Undertone' taking center stage. Directed by Ian Tuason, this low-budget horror flick caught the attention of many after its gripping premiere at the Fantasia Film Festival. A24, known for its creative marketing, has emphasized the film's chilling auditory experiences, proudly dubbing it "the scariest movie you'll ever hear." Is this portrayal merely hype, or does it hold water?

Sound Over Sight: A New Trend in Horror

In 'Undertone,' sound design is not just an accompaniment; it's the very core of the film. This story revolves around Evy, a girl confined to her family home, caring for her dying mother while hosting a horror podcast with her friend Justin. The two receive ten eerie recordings from an unknown source, setting the stage for their high-stakes audio adventure. What transpires is an exercise in immersive storytelling that challenges the conventional norms of visual horror.

Analyzing the Soundscapes

As someone steeped in horror cinema, I often walk into screenings with a seasoned sixth sense, always critiquing the same tropes. What's refreshing about 'Undertone' is just how reliant it is on sound—an aspect I found both impressive and intellectually stimulating. With every creak and whisper, Tuason's effective sound design elevates the horror experience. The moments where Evy listens intently at the table become more terrifying than any on-screen apparition.

“The bulk of the horror simply comes from Evy sitting at a table and listening.”

Pacing and Structure: A Double-Edged Sword

Critics have voiced skepticism about the film's pacing, arguing at times it veers into tedium. I, however, found the deliberate pacing to be a choice that added to the sense of claustrophobia and tension. The film unfolds quietly but steadily, with each moment drawing the viewer into Evy's world—hoping to share in her anticipation and fear.

The Visuals: Clever but Secondary

Visually, Tuason employs smart camera movements and blocking, encouraging viewers to stay vigilant for those creeping moments of dread. To claim the visuals carry the film would be a misreading of intent; they provide grounding while the sound takes the lead. However, moments of striking visual imagery do occur—just enough to catch you off guard.

Home Viewing vs. Cinematic Experience

Watching 'Undertone' in a packed theater adds a communal sense of dread—echoes of gasps and whispers amplify the tension. Yet, I ponder how it would fare in a more intimate setting. Viewing it alone at home could lead to a unique interplay between the film's soundscapes and the household environment, perhaps creating an experience that feels more personal—potentially more frightening.

The Scary Movie Paradox

By labeling 'Undertone' the "scariest movie of the year," A24 sets it up for inevitable backlash. This is a common occurrence in our cinematic culture: the hype often oversells a product, leading to polarized opinions. Much like the divisive reaction to films such as 'Skinamarink,' expectations might overshadow genuine appreciation for the craft involved.

Conclusion: A Solid Debut with Room for Growth

In sum, 'Undertone' is a testament to innovative storytelling in horror. While I personally didn't leave the theater trembling, I commend Tuason's signature focus on sound and atmosphere. The film shines in its technical execution and thematic depth, inviting audiences to rethink the parameters of fear. Could this signify a new wave in horror? One can only hope that more filmmakers explore this auditory frontier in the quest for terror.