Venice Chief Alberto Barbera on the Fest's Lineup Missing Israeli Films: 'We Have No Prejudice Against Anyone Anywhere in the World'

Voices From the Lido: A Conversation With Alberto Barbera

As the world watches the Venice Film Festival prepare for its 83rd edition, one voice remains central to the conversation: that of artistic director Alberto Barbera. His words, delivered with a quiet resolve during a press cocktail on the Lido, carry the weight of tradition and the promise of artistic freedom. As the festival grapples with mounting political tensions, Barbera's response is both measured and unwavering.

"We are a space for freedom of expression," Barbera said. "Our role is to safeguard freedom of expression for everyone, for the artists, and to safeguard the confrontation between artists and the public, the critics and people in general."

His comments come at a time when many are calling on Venice to take a clear political stance—especially regarding the ongoing conflict in Gaza. In fact, groups like Venice4Palestine have urged the Biennale to issue an official statement supporting Palestinian causes. Yet Barbera, with the authority of someone who has led the festival for years, insists that Venice will not make political declarations to take sides.

The Absence of Israeli Films: A Clarification

One of the most pressing questions surrounding this year's lineup was the absence of any Israeli films. It's a silence that has sparked debate across international media and advocacy circles. When asked directly, Barbera addressed the matter with honesty:

"No, not at all. Never," he said. "We have no prejudice against anyone anywhere in the world. If there had been a Russian film, an Israeli film of good quality, we would undoubtedly have invited it."

Barbera went on to explain that Venice only received one submission from Israel this year, and it did not meet their standards for inclusion. He also pointed out that this wasn't due to any form of boycott, but rather a decision based purely on artistic merit.

The Courage to Challenge

What makes Barbera's leadership so compelling is his willingness to embrace controversy—not because he seeks it, but because he believes in the power of art to provoke thought and discussion. His remarks about Vincent Gallo's Golden State Killer, which nearly made the lineup, underscore this principle:

"We told him, 'We like the film very much. We know it is a film that is going to divide the public, but we are ready to face a complicated situation.'"

This is not just about showcasing films; it's about maintaining a dialogue. Venice has long been known for taking risks, even when those risks involve challenging public sentiment or sparking debate among audiences and critics alike.

A Festival Rooted in Freedom

Barbera's approach is rooted in a deep respect for the history of the Biennale. He understands that Venice has built its reputation not by avoiding controversy, but by standing firm in its commitment to artistic freedom:

"It is clear what our position is, because through the program, through the programming of the festival and through the films that we invite, it is clear what we are doing and what kind of space we want the festival to be."

This is more than just a statement—it's a promise. In a world where many festivals struggle with political backlash, Venice remains unflinching in its mission to present stories that matter, regardless of their origin or message.

Looking Forward: Hollywood's Role and the Future

The festival also faced questions about the declining presence of American studios. Barbera was candid about the current state of Hollywood:

"We know the situation in Hollywood. We know the situation of the studios. They are in difficulty," he said, noting mergers and shifting production strategies that have affected release schedules.

Despite these challenges, Barbera remains optimistic. He believes Venice will continue to serve as a vital platform for filmmakers around the world:

"I am sure that in the future the festival will continue to be an extraordinary opportunity for the promotion of films."

Respecting Art, Respecting Humanity

As we reflect on Barbera's comments and the broader context of this year's Venice Festival, one thing becomes clear: this is not a moment of silence or retreat. It's a moment of clarity—a reminder that art has always been a vehicle for understanding and empathy, even when that journey is difficult.

Alberto Barbera does not shy away from the weight of his responsibility. Instead, he embraces it with grace, dignity, and an unwavering belief in the transformative power of cinema. Whether the world is ready for what Venice offers, or not, one thing remains certain: this year's festival will continue to honor the voices that speak truth to power.

As we prepare to witness the opening night with Danny Boyle's Ink, I am reminded of Barbera's final words:

"We are a space for freedom of expression. Our role is to safeguard freedom of expression for everyone, for the artists, and to safeguard the confrontation between artists and the public, the critics and people in general."

In a time of division, Venice remains committed to being a place where dialogue is possible—and that, perhaps, is the most radical act of all.