Roald Dahl's Dream Come True
Roald Dahl likely never envisioned his cherished tale, “The BFG,” taking center stage, yet here we are, delighting in a theatrical adaptation that brings this beloved children's story to life. First published in 1982, the narrative revolves around the titular 'Big Friendly Giant'—a charismatic, 30-foot-tall vegetarian whose endearing simplicity and whimsical antics are sure to enchant anyone willing to embrace their childlike wonder.
A Stage Adaptation Like No Other
Unlike the CGI-heavy 2016 film adaptation, this latest version from Royal Shakespeare Company relies on the time-honored art of puppetry. Directed by the inventive Daniel Evans, the show ingeniously employs life-sized puppets manipulated by onstage puppeteers, providing an interactive experience that invites viewers to rediscover the thrill of imagination.
“The giants are played by vast puppets, manipulated by several onstage puppeteers and voiced by actors, creating a unique blend of theater and whimsy.”
Clever Character Conversions
The real magic unfolds in how this production artfully converts massive giants into relatable characters through both puppetry and live performances. The blend of puppets and human actors adds layers of depth to the characters, allowing for a juxtaposition that showcases the charm of Dahl's original illustrations. As the story unfolds, we see John Leader portray the BFG, his oversized prosthetic ears complemented by the lovable quirks that define the character.
Leading Ladies and Gentle Giants
Young Ellemie Shivers shines as Sophie, the ideal companion to the somewhat bumbling BFG. With her quick wit, she navigates the chaotic world of giants while compelling the audience to invest emotionally in their peculiar friendship. This dynamic duo reinforces the play's core themes: the power of dreaming and the importance of courage in the face of adversity.
A Whirlwind of Visual Delight
The set designers have outdone themselves in creating the BFG's fantastical dream lab, alive with color and imagination. Filled with glimmering jars of potions and quirky props, each element invites younger audience members to engage actively with the story. The show features plenty of physical comedy and lively interludes, including a hilarious slow-motion fistfight that breathes life into the familiar storyline.
Pantomime Spirit and British Humor
The production thrives on its pantomime energy, characterizing the show with humor and a light-hearted spirit. Notably, it is the Queen's endearing, bumbling military aides who steal the spotlight with their antics, amplifying the frivolity of the narrative's climax. It's a keen satirical nod to British culture, promising both laughter and whimsy.
Bittersweet Comparisons
Despite the production's many charms, it inevitably raises a poignant question: Does the playful execution dilute the story's enchanting essence? Dahl's illustration of the BFG, with its rich details and emotional resonance, casts a shadow that this adaptation can't wholly escape. For many audience members, the visual transformation has brought a youthful twist to a powerful emotional landscape, but at what cost?
Final Thoughts and Cultural Reflection
As we draw nearer to the finale, it becomes clear that while the RSC's The BFG is an endearing family experience, it invites a deeper discussion about creativity and representation in adaptations. Are we capturing the essence of Dahl's original magic, or merely creating a playful diversion?
The show runs through February 7 at the Royal Shakespeare Theater in Stratford-upon-Avon, England. For anyone wishing to experience a story that bridges generations, this enchanting tale still holds its magic, inviting a new generation to dream vividly
Source reference: https://www.nytimes.com/2025/12/17/theater/the-bfg-roald-dahl-royal-shakespeare-company.html
